Here is the first Kate Moss wedding photo to emerge, via Fab Sugar. And she’s wearing a veil in the car with her dad and daughter Lila Grace! Watch this space for updates throughout the day.

Read more on Fashionista.

“Working with Janie [Bryant, Mad Men's costume designer] to gain a true understanding of the Mad Men look and feel was a delight,” Banana Republic Creative Director Simon Kneen said in a statement. “Janie was instrumental in helping us achieve the series aesthetic and standard of authenticity with this capsule collection.”

The women’s collection features trench coats, high-waisted skirts, 60s-style dresses and leopard print pumps, while the men’s collection includes everything from suits and pocket squares to money clips and knitted sweaters.

Read more on Fashionista.

So we were thrilled to see Ginsberg’s list of the 25 most powerful stylists in Hollywood covering this week’s issue. Rachel Zoe obviously ranks number one, with names like Nicole Chavez, Annabel Tollman, Brad Goreski, Leslie Fremar, and Kate Young rounding it out. See the full list below, and read the Zoe cover story here.

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L.A. Triumph is hoping a judge will rule that Madonna’s new tween line creates confusion among consumers (“deception in the marketplace” in legalese) and that Madonna should fork over all her “Material Girl” profits to L.A. Triumph.

So how is it that Madonna, the original “Material Girl,” she who sang the song, could be infringing on L.A. Triumph’s trademark?

We checked in with our resident fashion trademark expert, attorney Anne Sterba, of leading intellectual property firm Rothwell, Figg, Ernst & Manbeck, to find out if L.A. Triumph has a leg to stand on. Read more on Fashionista.

And if there’s one thing you can say about this year’s September covers, it’s that the good covers are great and the bad ones are truly horrible. Notably absent from the bunch are Vogue Paris and Vogue Italia, whose cover images have not surfaced yet, but are sure not to disappoint. Read more on Fashionista.

But what does a stylist actually do, and what does one have to do to get to the front of the pack?

We’ve enlisted super stylist Sally Lyndley–who’s worked with everyone from Katie Grand to Victoria Beckham–to give us a little insight into what her job really entails and why she’s so in love with it. Each week, Sally will offer us a peak into her world, from stories on the history of styling to Q&As with some of her favorite people in the industry.

To get things started, we’ve given Sally the Seven Questions… treatment. We’re so excited to have her on board! Read Sally’s interview on Fashionista.

The fashion on Mad Men is changing, and fast; women are leaving behind their New Look silhouettes for slimmer, shorter options, and men are experimenting more with suiting. Hair is higher and shorter, and large, statement jewelry plays a starring role. Everything is modernizing inside Sterling Cooper Draper Pryce.

Everything except Don.

Read more on Fashionista.

And while Scott Schuman, founder of The Sartorialist, may be the pioneer, he is no longer alone in his work. The streets surrounding fashion week runways have become flooded with a special type of paparazzi–the kind who you want to be bothered by.

Other than a good blog post, and some great inspiration, what do street style photographers get out of this work? Get the answer on Fashionista.com.

But what about the day of? Not everyone’s plans are 100% locked down yet, although we’ve been getting scoops from a few retailers from NYC to Berlin and we just couldn’t wait to share! It’s never too early to start preparing for fashion’s biggest party, right?

NYC
Not surprisingly, the most exciting events (at least that we know about) are taking place right here in NYC and yes, we got the scoop on last year’s show-stopper: Barneys New York. For more, visit Fashionista.

No doubt some industry insiders were shocked when the 71-year-old publication won Magazine of the Year at last week’s National Magazine Awards.  The magazine was the only glossy nominated for the new award, which according to the American Society of Magazine Editors website “honors publications that successfully use both print and digital media in fulfilling the editorial mission.” And it represented a victory for hair removal and sundresses over the far weightier issues covered in the likes of  The Atlantic, Fast Company, Men’s Health and New York. (Well, maybe count Men’s Health out of the weighty class.)

But Glamour, as well as its editor-in-chief Cindi Leive, deserved the recognition. In a business that uses three prototypes–the sexy girl; the affluent homemaker; the shopping-obsessed careerist–to woo readers, Glamour actually writes and reports compelling stories. And the editors do it in a positive voice that most can’t help but appreciate. Unlike its biggest competitors, Glamour doesn’t make its readers feel bad about themselves. And it doesn’t talk down to them, either. Most recently, Leive has vowed to incorporate more normal-sized and plus-sized models into her fashion spreads. And that means regularly–not as some one-off gimmick.

Another major difference from competitors is that Glamour invests in digital. It works online because it has a full staff dedicated to the Web product. Plus, they’ve got content partnership deals with portals like AOL, and everyone from Editor-in-Chief Cindy Leive down is participating. And they’ve been doing it like this for years. Some magazine sites still only have one dedicated staff member and that person is merely formatting the mag content for the web.

Glamour‘s presence on the Web is unparalleled in the fashion industry, clocking over 1 million unique users in February 2010, according to Compete. Marie Claire, its closest competitor in terms of the topics covered, brought in 266,273.

That’s why, when I put together a list of the country’s most powerful fashion editors for Forbes.com in 2008, Leive naturally rose to the top. The methodology, which included everything from advertising pages to unique users online to press mentions, proved that Leive, while maybe not the most fashionable person in the world, was someone consumers listened to.

Fashion industry types questioned my methodology, given the fact that American Vogue editor-in-chief Anna Wintour is undoubtedly the most powerful figure in the fashion business. Wintour can make or break a designer’s career with an endorsement. She has also spearheaded plenty of memorable marketing campaigns, from Vogue‘s initial participation in Fashion Rocks to Fashion’s Night Out, which has thus far proved incredibly successful.

But does Wintour’s magazine do as much for women every month as Leive’s? That’s hard to prove. More women read Glamour, and more advertisers look to it. Glamour‘s current circulation is 2.5 million, and it charges $200,491 for a full page, four-color ad. Vogue‘s circulation is 1.2 million, and it sells a full page, four-color ad for $151,133.

As online publishing continues to usurp print in both readership and influence, Glamour is in a better position than the others to weather it. Smart editors and smart content equal happy, devoted readers, regardless of the topic covered. And that’s why Glamour‘s win is well-earned.

Lauren Sherman is editor of Fashionista.com, a Breaking Media site.