I’m necessarily fascinated by Facebook. I adore the movies of David Fincher. I can tolerate Aaron Sorkin’s schtickiness. Jesse Eisenberg did young neurotic well in “The Squid and the Whale.”
So why am I not excited about “The Social Network,” the forthcoming fil-um about the shady-to-the-max early days of the social network?
Probably because the most recent trailer, the second so far, makes it looks like the movie will be an uber-serious, talky-to-a-fault snoozefest investigation into whether Mark Zuckerberg snatched the idea for Facebook from its original founders. I’m envsioning “Zodiac,” another Fincher effort, also uber-serious and talky but not necessarily too long, adapted for a maybe-maybe not-maybe-ok probably theft of intellectual property.
The trailer, while nicely produced, feels off tonally.




Facebook has gone and done it again. Yet another round of changes has sparked a wave of revulsion that hasn’t been seen since, well, the last time Mark Zuckerberg altered the way you and your information are used by the massively popular social network. To an increasing number of people who think about the Internet, the harmless-sounding notion of the social graph has become little more than a trojan horse that will put all our personal data at risk.


